Love EVERYTHING ABOUT THIS. CAPS yes.
Yellow, green and dark wood are on my mind at the moment. From top left: beautiful vase from Nittsjö, solid walnut wood chair from Lloyd, a pair of valvet lounge chairs from Eisler and Hauner from the 1950s, Italian cocktail table in marble, art from Pierre Olofsson, and a gorgeous Mondrian brass chandelier.
In usual order; I am obsessing over some items at 1st Dibs. Print called ‘Boating in Antigua, 1961’ from Slim Aarons, ‘Double Onos 55’ pendant brass lamp from Florian Schulz, steel contract bench by George Nelson for Herman Miller, chair and ottoman in velvet with chrome motif in bamboo, monumental vase by Nils Kähler, coffee tables from Karl Springer, and Italian chairs with nickel balls.
Wouldn’t mind having a set of five dining chairs circa 1950 from Charlotte Perriand at home. You can find the ‘Maribel Chairs’ here.
Browsing through 1st Dibs like a crazy person, in usual order. My cravings are these at the moment; Mid-Century smoked art glass bowl by Holmegaard, abstract etching on paper by Jiri Kolar, Italian Mid-Century Chandelier (from 1960s), daybed from the 1950s by Kurt Thut, brass and agate lamp from 1970s, and Swedish rya rug in yellow, white and black.
Since I’ve just recently moved into a new space I have got interior on my mind, and of course I have been browsing through 1st Dibs like a crazy person. I might not be able to purchase so much as one thing (the prices are maniac), but at least I can day dream a bit. Pieces from; Ib Geertsen Composition 1951 oil painting, Julie Schenkenberg Shroud Four painting, Hans J Wegner wooden arm chair, marble table from Pierre Cardin (a table I used for a Sunday Treat on The Wall a while ago).
“The Windfall series is made from applewood burls collected from apple orchards in Prince Edward County. Dark stripped off the bark and allowed the dense burls to dry out, he then filled in the cracks and smoothed them out. When finished he was reminded of the Japanese art Kintsugi. The philosophy that treats breakage and repair as part of the history of an object, rather than disguising the repair.The forms are soft to the touch – sensuous lines reminiscent of Henry Moore.”